Killing Field (2025) intertwines Thai history, human history, and contemporary events that continue to unfold around the world.
While Guernica (1937) depicted past violence in stark black and white, Killing Field (2025) uses vivid color to show how violence today can appear almost normal, no longer hidden or covered.
The work reflects how the tragedies of the past still repeat in the present, only expressed in different forms.
It also questions the way we observe violence in the world — often as distant spectators, as if we are merely looking at a painting.